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Les catéchèses et manuels de catéchèse des IVe-Ve siècles citent abondamment la Bible, pour illustrer leur propos, pour prouver certains points doctrinaux ou moraux, mais aussi plus fondamentalement pour guider les fidèles ou les catéchètes dans leur utilisation des textes bibliques. Malgré la richesse des données disponibles, la recherche ne s’est pourtant que peu intéressée à l’utilisation de la Bible dans ces textes. Le présent volume pallie ce manque en explorant les homélies catéchétiques de Cyrille de Jérusalem (Sébastien Grignon), d’Ambroise de Milan (Aline Canellis) et de Jean Chrysostome (Guillaume Bady), le Discours catéchétique de Grégoire de Nysse (Matthieu Cassin) et le De catechizandis rudibus d’Augustin d’Hippone (Matthieu Pignot).
Catechetics --- Christianity --- Church history --- 268.71 --- 268 "00/14" --- Religions --- 268 "00/14" Catechese. Geloofsonderricht--(geschiedenis Oudheid tot Middeleeuwen) --- Catechese. Geloofsonderricht--(geschiedenis Oudheid tot Middeleeuwen) --- 268.71 Bijbel en catechese--(algemeen) --- Bijbel en catechese--(algemeen) --- Apostolic Church --- Church, Apostolic --- Early Christianity --- Early church --- Primitive and early church --- Primitive Christianity --- Fathers of the church --- Great Apostasy (Mormon doctrine) --- History --- Catechisms --- Bible --- Study and teaching
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This exhibition and its catalogue follow those dedicated to Florentine sculpture in the early Renaissance, 1400-1460, that took place in 2013-14 (Le Printemps de la Renaissance). The period scrutinised is 1460-1520 but the geographical coordinates are widened to include Northern Italy (Venice, Milan, Pavia, Padua, Bologna) and Rome as the artistic landscape of Italy becomes more complex. Some of the great sculptors, in fact, travelled and their style and their ideas influenced pre-existing local tradition. These new artistic languages share a common characteristic: the relationship to Greco-Roman Antiquity, especially in the representation of grace and passion: the expression of pathos and the theatrical quality of religious works, the symbolic richness of profane works and finally the development of a new and refined style which will find its highest expression in Roman classicism and in the work of Michelangelo. The catalogue includes the works of, among others, Donatello, Antonio Pollaiolo, Bertoldo di Giovanni, Giovanfrancesco Rustici, Francesco di Giorgio Martini, Guido Mazzoni, Bartolomeo Bellano, Cristoforo Solari, Tullio Lombardo, Andrea Riccio, and Bambaia, Sansovino, and Michelangelo.
Exhibitions --- Sculpture de la Renaissance --- Corps humain --- Dans l'art. --- Sculpture, Renaissance --- Sculpture, Italian --- Musée du Louvre --- Catalogs. --- beeldhouwkunst --- iconografie --- menselijk lichaam --- klassieke oudheid (historisch tijdvak) --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Michelangelo --- 15de eeuw --- 16de eeuw --- Italië --- Sculpture --- sculpture [visual works] --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Italy --- sculptuur. --- iconografie. --- menselijk lichaam. --- klassieke oudheid (historisch tijdvak). --- Michelangelo. --- 15de eeuw. --- 16de eeuw. --- Italië. --- sculptuur
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